From the teardrop series, carved from the same Saskatchewan Avenue tree as the other olives in this collection. Instead of leaving the teardrop's oval full, I scooped two deep sections out of it, so the piece plays a shape game: face it head-on and it reads as an oval; step to the side and it becomes a comma, a pause carved in wood. Scalloped is the closest word I have found and it is still not quite right, which feels appropriate for a form that refuses to sit still. The brass inlay and the olive wood play beautifully together, warm metal against pale, storm-figured grain. No function this time. Purely sculptural: made for looking, and for whatever the shape does to you from wherever you stand.
The Saskatchewan Avenue Russian olive: the leafless tree I had taken down before it could fall on the house, traded back to its owners as vases, its ant-hollowed core full of phomopsis. Every olive piece in this collection came from it. The pin marks the avenue; the address stays theirs.

Filmed on Saskatchewan Avenue in July 2024: the tree this piece was carved from, coming down before it could take the house with it. Very few pieces of wood anywhere can show you this moment.











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